2016 welcomed a barrage of the latest digital cameras built with 4K video clip recording, and today virtually every major digital camera maker has implemented 4K shooting somewhere inside their lines.
Maybe many impressively, the technology was successfully stretched over types of all billings. So, whether you’ve just got a few hundred pounds to pay or you're willing to stretch to a handsome four-figure sum, it’s most likely you can pay for a digital camera with all the technology up to speed.
Because two cameras have actually 4K recording, however, doesn't suggest to say they're equal. The application of various sensors and different methods of capture, together with variations in output possibilities, suggest two 4K digital cameras can act quite differently.
Also one thing since straightforward as perhaps the camera utilizes the entire width for the sensor or is applicable a crop element is vital to consider, as this has an important influence on your effective angle of view. And all sorts of of this above is before we also think about supporting features including headphone sockets, focus peaking, zebra patterning and Log pages.
To create things simple, we’ve rounded up what we think are the fittest 4K digital cameras on the market right now, and sum up why they've made the cut.
It’s hard to know how to start because of the GH5. In the place of utilizing a cropped area of the sensor whenever shooting 4K as had been the scenario utilizing the GH4, the GH5 utilizes the entire width regarding the chip and then down-samples the footage in-camera. This also means framing won’t be cropped, and you’ll manage to use your lenses as you’re shooting stills. The Lumix GH5 allows you to shoot Cinema 4K (4096 x 2160) at 60p by having a bit price of 150Mbps, while complete HD video clip is actually additionally feasible, up to and including very impressive 180p. That's not all, since the GH5 provides color subsampling at 4:2:2 plus color level of 10-bit, delivering greater color information and richer graduations. The GH5 also offers live production to external recorders particularly Apple ProRes via HDMI, also simultaneous interior recording. That's undoubtedly a thorough video spec, but Panasonic normally likely to introduce a number of firmware updates within the coming months to strengthen the GH5's recording abilities further.
Want more? Panasonic's just announced the Lumix GH5S – Panasonic has ditched the 20.3MP sensor based in the GH5 and replaced it with an all-new 10.2MP sensor, that also views the GH5S effective at shooting 4K 60/50p footage in Cinema 4K (4096 x 2160). Full review coming very soon.
Read our in-depth Panasonic Lumix GH5 review
During the time of the A7S II's review we said it had been the greatest video-shooting stills camera available, even though much changed on the market we nevertheless reckon it’s a compelling option for the videographer. Among its major attempting to sell points at launch – interior recording of 4K footage – has since been matched by many others, but it’s the modest pixel count of its sensor that splits it from its competitors. We found its powerful range to be very high, and consistently better than competitors at higher sensitivities, while noise had been also shown to be lower than digital cameras with an increase of populated potato chips. Additionally has the advantageous asset of utilising the whole sensor width for recording movie, and to be capable record on storage device while outputting 4:2:2 footage up to a HDMI recorder, but shows it self become capable for stills shooting too. Autofocus is usually fast and built-in image stabilisation actually huge bonus, although the human body is sturdier than its predecessor’s too. In general, while it may not be the newest model, its sensor and movie specifications give it a few advantages over its competitors.
Browse our in-depth Sony Alpha A7S II review
The last APS-C-based Alpha A6300 had been a big hit with enthusiast users, as well as the Alpha A6500 builds on its success in many ways. The digital camera records 6K footage that’s downsampled to 4K for the advantage of quality, and utilizes the efficient XAVC S codec that has a price of 100Mbps. This really is joined by Log gamma modes, 120fps HD recording (also at 100Mbps) and improved zebra patterning to keep a watch on exposure. You also reap the benefits of a 425-phase-detect-point concentrating system for rapid focus and a 2.36-million-dot OLED viewfinder, as well as 11fps burst shooting at complete resolution, all inside a dust- and moisture-resistant human anatomy. That's as well as the welcome addition of Sony's 5-axis in-body image stabilization system. Given that the cost has started to fall it could be an excellent option as an upgrade over past APS-C-based Sony models.
Browse our in-depth Sony Alpha A6500 review
The XC10 could very well be the least-conventional model on this list, however it’s a viable alternative to the organization’s other, pricier, Cinema EOS models. Made for video however with high-quality stills in your mind too, the model combinations a 12MP 1-inch CMOS sensor with a 24.1-241mm image-stabilised lens, and packages it in a comparatively compact human anatomy whoever adjustable grip provides excellent flexibility. It records 4K UHD footage at 8-bit 4:2:2 footage internally, and you will phone upon the Canon Log substitute for capture up to 12EV stops of dynamic range. In addition get yourself a integral ND filter, clean HDMI output while focusing peaking, and Canon even tosses in a loupe to enable you to use the rear LCD touchscreen much like an electric viewfinder. By having a smaller sensor than more old-fashioned options, and at an identical price point, it could never be your best option for low-light shooting, but when you think about the contact, type element and value for money, it scores a lot of points. The model was recently superseded by the XC15.
The long-awaited successor towards the D810 arrived earlier in the day this year, and Nikon undoubtedly didn't hold back using the specifications. With a fresh 45.4MP full-frame sensor, a very advanced 153-point AF system and 7fps shooting, supported by features including a tilting touchscreen and whole suite of connectivity choices, the the D850 is considered the most advanced level DSLR we've seen. Video-wise, there’s lots to love. The camera is capable of 4K UHD capture at 30p/25p/24p, and that's using all sensor – no unwanted cropping here, enabling you to make best use of your lenses. Other video clip features include ports for both microphone and headphone sockets, and a Flat Picture Profile, zebra patterning and energy Aperture Control. You may want to record at 120fps entirely HD quality. A brilliant DSLR that's great at shooting movie too.
Browse our in-depth Nikon D850 review
“The most useful Micro Four Thirds camera yet” was that which we concluded from our time testing the Olympus OM-D E-M1 Mark II, and video is one area in which Olympus has made significant improvements over past models. Not only do you get 4K capture in both DCI and UHD flavours, you get clean production over HDMI at 4:2:2, a headphone slot for sound monitoring plus the advantages of Olympus’s fast Hybrid AF system, which works in conjunction with the touchscreen even for easier topic selection. Whether you’re shooting stills or videos, in addition get very effective image stabilisation systems we’ve yet seen, which will please those that expect to be mainly utilizing the digital camera handheld. Other explanations why the digital camera walked away having full five movie stars include its exceptional weather-sealing, lifelike EVF, plus the capability to fire at 18fps with continuous AF and AE monitoring. People who wish to effortlessly attain an extremely superficial level of industry may well not prefer the smaller Micro Four Thirds sensor over larger-sensor offerings, however with the proper lens and method you are able to still isolate subjects from their surroundings on this kind of camera without trouble. Nevertheless, while Panasonic might have had a head begin with video clip, the OM-D E-M1 Mark II certainly sets the bar high for the flagship Micro Four Thirds camera.
Browse our in-depth Olympus OM-D E-M1 Mark II review
The X-T2 was truly one of many features for the past 12 months, and showed simply how much more seriously Fujifilm was using movie recording with its X show. Its 4K UHD footage is made by oversampling – i.e. shooting more detail than needed – so the production footage ultimately ends up with better quality and less threat of artefacts. You may also output 4:2:2 footage through the camera’s HDMI port (albeit in 8-bit) and access a Log gamma profile while this. Users whom enjoy using Fujifilm’s Film Simulations modes for stills will no doubt be very happy to realize that it is possible to utilize these for video, even though the addition of the headphone port just regarding the optional grip, together with the 10-minute time limit on 4K footage (about without hold), may discourage some. Nevertheless, with weather-sealing, a cracking viewfinder and fast concentrating, there’s plenty to obtain excited about. Ultimately, if you want a smart, retro-styled camera that can shoot high-quality stills and detailed 4K footage, it’s difficult to consider a more fitting solution.
Read our in-depth Fujifilm X-T2 review
It may be certainly one of Panasonic’s more junior offerings in its Lumix selection of mirrorless digital cameras, however the Lumix G85 has got the advantage of being reasonably new, and therefore kitted down aided by the most advanced technology. The Dual IS Mark II system means you take advantage of both human anatomy and lens image stabilisation, plus the previous additionally works to steady unstabilised optics. Footage itself are recorded at around 30p, at a little rate as high as 100Mbps, and you can also phone upon zebra patterning while focusing peaking to help whenever recording. Panasonic’s clever Live Cropping function can also be up to speed, and also this permits professional-looking panning and zooming all in-camera, although this is production at HD quality. One sore point is the fact that there's no headphone port for sound monitoring, although this isn't a glaring oversight when you consider the model’s marketplace; what’s more key is there is a microphone slot. The fact that the digital camera ‘only’ has a 16MP sensor is somewhat offset by the fact this has no optical low-pass filter; we found this recorded exemplary details, with moiré only periodically visible in footage.
Study our in-depth Panasonic Lumix G85 review
If you're searching for a powerful all-in-one camera, then you're maybe not going to go far wrong with Sony's brilliant RX10 IV. Having long and fast 24-600mm f/2.4-4 zoom lens partnered by having a stacked 1-inch type 20.2MP sensor and fast 315-point phase-detect AF system, it's an incredibly versatile camera. It willn't disappoint in terms of video clip either, with 4K UHD footage captured with 1.7x extra information than in fact needed without any pixel binning, before being downsampled to 4K with regard to quality. This takes place at a 100Mbps maximum bit price, and you will increase the camera as much as 960fps for slow-motion footage too. This is supported by a clean HDMI output, zebra patterning and both microphone and headphone ports. Additionally you get an S-Log2 gamma profile besides the image Profiles (which you yourself can adjust), and Sony’s Gamma show Assist mode to help you get a much better notion of what graded footage would look like. It’s expensive, but there's nothing that can match it.
Browse our in-depth Sony Cyber-shot RX10 IV review
Sony has enjoyed much success featuring its RX100 line, as well as its latest RX100 V picks up from where in fact the Mark IV left off. Lots of its video specs are distributed to the RX10 III, with footage recorded at 1.7x the amount required and later downsampled to 4K. You are able to record at around 30fps and use the stepless control band round the lens, while supporting functions consist of an S-Log2 gamma profile, focus peaking, zebra patterning and slow-motion recording. Naturally on this kind of little digital camera you don't get ports for microphones or headphones, although the not enough a touchscreen may bother individuals more. Nevertheless, you do get Sony’s excellent hybrid AF system for focusing. Put in a built-in ND filter, top-quality EVF, a tilting display and a super-fast 24fps burst-shooting mode with autofocus and auto-exposure maintained throughout, therefore’s amazing that one thing therefore powerful can still slip within your pocket. The cost is significant, however if it’s out of your reach there's still the RX100 IV, which manages to supply 4K shooting and a lot of provided technology at a keener cost.
Read the full review: Sony Cyber-shot RX100 V
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